Richard Simpkin

 

~

It’s not about being a ‘fan’

it’s about being an artist”

Richard Simpkin

~

QUESTION: What do Don Bradman, Marilyn Manson, Julie Andrews, Kim Kardashian and Nelson Mandela have in common?

They have all been photographed with Richard Simpkin.

Who? you may ask. Who indeed. For ultimately it is Simpkin and not his starry stooges that is the true subject of this art project.

____________________________________________________________________________________________________________________________________

Richard & Famous

Richard Simpkin has amassed hundreds of photographs of himself with the stars of stage, screen and stadium. While individually they are simply fandom’s flotsam bobbing on the sea of celebrity, collectively they become something very different – a temporal portrait of the artist.

The installation ‘Richard & Famous’ maps a journey from adolescence to maturity that spans almost a quarter century. The images document the artist with a host of heavy-duty notables. The 21 x 14 centimetre prints are pinned to the wall in the form of a bar chart. Each column consists of a double stack of snapshots made during a single year from 1989 to the present. The height of the column depends on the number of starry meetings achieved in that year.

The celebrities come and go; some familiar, others masked by an aging process their profession so often denies. Meanwhile, the bright-eyed teenage Simpkin matures to adulthood and inexorably on towards middle age. The inversion of roles in uncanny, as each luminary becomes an unwitting extra in the artist’s own biopic.

La Ronde

‘Richard & Famous’ has itself achieved fame through a series of serendipitous connections. It received its first major showing when selected by Alasdair Foster for presentation at the Australian Centre for Photography in 2008. There Foster introduced the work to a visiting colleague, Mindaugas Kavaliauskas, the Director of Kaunas Photo Festival in Lithuania. Kavaliauskas programmed the installation into his 2010 festival where it came to the attention of the eminent photographer and curator Martin Parr. Parr took the exhibition to England for a showing at Liverpool’s Open Eye Gallery in 2012. Most recently, Robert Hewitt – who had previously commissioned Parr to make new work in Western Australia – selected ‘Richard and Famous’ to feature in the Fotofreo festival.

“Richard Simpkin’s work is a true revelation. Obsessively having his photo taken with the celebrities of the world, he shows them almost to be puppets in his own game of charades. Knowing how difficult it is to get access to celebrities in this day and age, it is an awesome achievement, and turns his whole game into a compelling piece of art.”

Martin Parr

___________________________________________________________________________________________________________________________________________________

Leave a Comment

Fill in your details below or click an icon to log in:

WordPress.com Logo

You are commenting using your WordPress.com account. Log Out / Change )

Twitter picture

You are commenting using your Twitter account. Log Out / Change )

Facebook photo

You are commenting using your Facebook account. Log Out / Change )

Google+ photo

You are commenting using your Google+ account. Log Out / Change )

Connecting to %s

  • The majority of the texts on this site are by Alasdair Foster and represent his opinions. However, in order to facilitate a useful diversity of views, some texts have been invited from artists and colleagues around the world, while others appear as independent comments. These opinions and comments are not necessarily those of Alasdair Foster or Cultural Development Consulting (CDC). All data and information on this site is provided on an as-is basis. While every effort is made to be as thorough as possible, neither Alasdair Foster nor CDC make representations as to accuracy, completeness, currency, suitability or validity of any information on this site and will not be liable for any errors, omissions or delays in this information or any losses, injuries or damages arising from its display or use.
%d bloggers like this: