Matthew Sleeth – Survey
The relationship between the photographic image and the world around us has had an inconstant history. From Fox Talbot’s conceptualising of photography as an extension of drawing to Weston’s strict specifications for the ‘purity’ of a truthful photographic image; from Cartier-Bresson’s belief in the collapse of narrative into a single ‘decisive moment’ to Baudrillard’s obsession … Continue reading